Servants of the Supernatural: The Night Side of the Victorian Mind
By Antonio Melechi
William Heinemann £20, 276 pages
FT bookshop price: £16
Ghost Hunters: The Victorians and the Hunt for Proof of Life after Death
By Deborah Blum
Arrow £8.99, 370 pages
FT bookshop price: £7.19
Conan Doyle: The Man Who Created Sherlock Holmes
By Andrew Lycett
Weidenfeld and Nicolson £20, 527 pages
FT bookshop price: £16
Conversations with Eternity
By Victor Hugo, translated and with a commentary by John Chambers
New Paradigm $13.95, 260 pages
In
1848, a series of mysterious knocks and bangs began resounding through
the timber walls and floors of a farmhouse in Hydesville, New York. The
two daughters of the Fox family who owned the reputedly haunted house
began addressing the unseen source of the noise. The girls identified
it as the spirit of a dead man and gave him the somewhat unnerving name
Mr Splitfoot. Through a simple code – two knocks for yes, silence for
no – they were able to engage in conversation with him. Word soon
spread. People came from far and wide to talk to Mr Splitfoot and pose
questions about the afterlife. They inquired about loved ones who were
dead. His replies convinced. The spiritualist movement had begun.
A fascination with communicating with the dead continues to grip us today. Television shows such as Most Haunted and Crossing Over With John Edward,
both hosted by mediums, get good ratings. Stage mediums remain a
box-office draw in provincial theatres. Ours is an age that is pleased
with its own rationality, yet we have retained an appetite for messages
from the great beyond.
Two
recently published books cast an eye over the early years of
spiritualism and explore how the phenomenon was regarded in its
infancy. Antonio Melechi’s Servants of the Supernatural and Deborah Blum’s Ghost Hunters
both show how Victorian intellectuals were at pains to consider
spiritualism from a scientific standpoint and use it to form a bridge
between fact and religious faith.
Melechi is a visiting fellow at the University of York whose previous book, Fugitive Minds, explored mental disturbances such as deja-vu and sleep paralysis. Servants of the Supernatural
delves into what its author winningly calls “the golden age of the
Victorian seance”. The opening sections of the book are concerned with
mesmerism (a forerunner of modern-day hypnotherapy), which in the first
half of the 19th century evolved into a powerful medical tool that
could help the mind restore itself to health. It could even be
harnessed in surgery. Operations were carried out successfully on
patients under “mesmeric sleep”, a far better method of
anaesthetisation than ether. For the public, however, mesmerism was
best known in its bastardised form, stage hypnotism, and its
association with low entertainment meant the high-minded medical
establishment would not take it seriously.
The controversy over
mesmerism set the pattern for the problems that attended spiritualism.
During the latter half of the century, table-turning, inspired by the
Fox sisters, became a widespread parlour fad. Sitters would gather
around a small tripod table and hold it down with their fingers while
invoking the spirits of the dead. One leg of a small tripod table would
rap against a larger table below, counting through the letters of the
alphabet to form words.
“Mediums” soon emerged. These were people
who were especially “sensitive” to the presence of the spirits and who
found that they could charge money for their services. They devised a
less labour-intensive method of communing with the other side, by going
into a trance and speaking in the voices of the dead. The
pronouncements they relayed were cryptic and often bizarre, but usually
carried a reassuring message to the living. To enhance the effect,
mediums would manifest a whole array of remarkable physical phenomena:
glowing hands that danced in the air, extrusions of ectoplasm from
various orifices, musical instruments played by unseen beings, and so
on.
Investigation by scientists, among them Michael Faraday and
Charles Darwin, failed to prove conclusively whether any of these
miraculous feats were genuine. While some clergymen condemned
spiritualism as heretical, there was a general feeling that it was a
harmless pastime for the middle and lower classes. Establishment
figures were welcome to treat it with a level of seriousness, but they
risked their reputations if they dared to give it full credence. This
was the fate of the great naturalist Alfred Russel Wallace, who would
not admit that some mediums were flagrant fakers, even when they were
taken to court and exposed as such.
Servants of the Supernatural
picks its way through the history of spiritualism in the Victorian era
carefully and with an understated wit. If there’s a flaw, it’s that
Melechi’s tone is austere, at times sober verging on the teetotal. That
isn’t a criticism that can be levelled at Deborah Blum’s Ghost Hunters, which brings a zesty transatlantic flavour to the material.
Blum,
a professor of science journalism at the University of Wisconsin who
has won a Pulitzer for her writings on primate research, chooses as her
chief focus William James, older brother of Henry the novelist. The
senior James sibling, though American-born, was an early member of the
Society for Psychical Research (SPR) in the UK, and later its
president, and as a psychologist spent much of his life applying
empirical scientific methodology to spiritualism.
If a doubter at
first, James became a convert to spiritualism after the death of his
infant son Herman. The prospect that the dead did live on came in the
form of Leonora Piper, whom James reckoned to be the one genuine medium
in a field littered with impostors. “If you wish to upset the law that
all crows are black,” he wrote, “you mustn’t seek to show that no crows
are; it is enough if you prove a single crow to be white.”
Piper
was his white crow. Years of repeated and intensive testing by the SPR
and its American offshoot failed to find fault with her talents. Even
when being subjected to all manner of undignified probings and jabbings
while in her trance, this Bostonian shopkeeper’s wife was calmly able
to furnish information she could not have come by through normal means,
facts known only to the investigators or the impartial witnesses they
brought with them. For example, Frederick Myers, a founder of the SPR,
was utterly convinced that Piper had been in contact with the love of
his life, Annie Marshall, who had committed suicide. As Myers put it in
a letter to a fellow SPR member, Oliver Lodge: “I do not say that facts
unknown to myself were given but facts unknown to Mrs P were recombined
in a manner & with an earnestness which … left little doubt – no
doubt – that we were in the presence of an authentic utterance from a
soul beyond the tomb.”
The portly figure of Arthur Conan Doyle
makes brief cameos in both Blum and Melechi’s books. It’s hard to
discuss Victorian spiritualism without mentioning the creator of
Sherlock Holmes, since he was one of the movement’s most ardent
believers and staunchest advocates.
Andrew Lycett’s new biography, Conan Doyle,
isn’t solely concerned with showing how the man who dreamed up the most
rational character in all literature was himself fascinated by
supernatural phenomena. However, it is a major strand running through
the book. Lycett, who has penned the lives of other eminent literary
figures including Ian Fleming and Rudyard Kipling, depicts a man
committed, from a young age, to the pursuit of reason and materialism
while “maintaining an essential belief in a higher being”. Conan
Doyle’s great hope was to achieve a satisfactory synthesis of the two.
It
was while establishing himself as a GP in Southsea, before his literary
career took flight, that Conan Doyle first began attending seances. Not
until much later, though, did he openly declare his belief that
spiritualism was genuine, and that came after his son Kingsley died
during the Spanish flu epidemic of 1918. As with William James and
Frederick Myers, the unbearable sense of loss caused Conan Doyle to
lower his scepticism threshold. He began regularly receiving
communications from Kingsley – most of which may be characterised as
“You were right all along, Dad, there is life after death.” He found
himself able to pardon even the crudest physical effects on the grounds
that what they represented was more important than what they were: “The
levitation of a tambourine or the moving of furniture may seem humble
and even ludicrous … the real question has to do with the force that
moves it.”
Conan Doyle ploughed a great deal of his wealth into
supporting low-circulation spiritualist periodicals and establishing
his Psychic Bookshop and Museum on Victoria Street. With his unswerving
and unquestioning acceptance of all things spiritualist, not to mention
his belief in the existence of fairies, he squandered his fame too,
losing the approval of a public that adored his detective stories. One
of the great ironies of Conan Doyle’s life, as Lycett’s compendious,
meticulously detailed tome makes clear, is that the world wanted him to
be Holmes. He, on the other hand, wanted to be anything but.
Another great Victorian-epoch writer was less public in his espousal of spiritualism but no less fervent. Conversations With Eternity
is a distillation of transcripts of table-turning sessions carried out
by Victor Hugo and family while in exile on Jersey. The notes were lost
in various archives until 1923, when they were collated and published
in French. This is their first publication in English.
The Hugos
fled the tyrannical regime of Napoleon III in 1851, and having arrived
in Jersey, set about holding seances. It seems likely that Hugo’s
interest in this activity was precipitated by the death, nine years
earlier, of his daughter Leopoldine. Equally, boredom may have played a
part. For two years the family were in nightly contact with the
ethereal realm, and Conversations With Eternity details the results of their sessions.
Anyone
wishing to see the problems that researchers such as William James were
up against need look no further than this book. Various spirits,
including the shades of such luminaries as Hannibal and Shakespeare,
visited the Hugos to convey statements of either mind-numbing banality
or bewildering obscurity, sometimes both at once. The one,
just-about-coherent theme that emerges from this book is the notion of
the world as a prison for human souls, who become reincarnated as
lesser organisms if their owners were insufficiently well-behaved
during their lives. This leads to a lot of high-flown, repetitious
gobbledygook and amusing assertions such as: “The plant is the grimmest
of the soul’s prisons. The lily is sheer hell.”
What Conversations With Eternity
does well, with its Channel Island channellings, is reinforce the
frustrating truth about seances and mediumship. Believers will find
much to convince them in the evidence it presents. Unbelievers will not.
Nowadays
spiritualism has become part of the paranormal subculture. It and all
its New Age-y and Fortean ilk are tolerated but not subjected to any
great level of scrutiny. Perhaps that is because, despite our
rationalist era, many of us remain in thrall to the hope that deceased
loved ones are waiting for us in the next world. We find it hard to
accept that life reaches a full stop; we feel there must be, at the
very least, a coda, if not a whole new open-ended sentence …
James Lovegrove’s forthcoming book is ‘The Wingless Boy’ (Gollancz)
Recent Comments